Guest Blog: How Much is that Bugle in the Window?

Hey everyone! Your friendly Baum Bugle editor Sarah here, filling in for Jane. When’s the last time you thought about reading the Bugle? The Baum Bugle began in June 1957 as a way for Oz Club president Justin Schiller to keep his members informed of Ozzy news, including convention reports and details on upcoming merchandise. It quickly ballooned from those four mimeographed pages to take in research, memoir pieces, rarely published stories by L. Frank Baum, and more.

Today’s Bugles are usually 48 pages or a little bit more, and I do my best to cram in as many interviews, research pieces, collectible data, and previously unseen material as I possibly can. If you aren’t a 2020 member right now, why not? The 2020 membership deadline is Oct. 31—and look what you might miss out on!

Cover of The Baum Bugle Spring 2020.The Spring 2020 issue was particularly fun because I had the chance to interview costume designer Beck Jones and photographer Curtis Brown about their amazing, modern photographic tribute, Broadway Celebrates Oz. We had the opportunity to put Curtis’ beautiful images on our covers in full color, and we included several of Beck’s design sketches inside, too. Their enthusiastic recollections of a passion project made a great Oz story I was thrilled to tell.

The Spring issue also gave us a chance to think about other unique visions of Oz. David Diket gave us a thorough collector’s guide to the charming View-Master Wizard of Oz reels, Nick Campbell reviewed the groundbreaking podcast Hit the Bricks, and Christina Maffa paid tribute to 25 years of The Wizard of Oz in Concert.Photo of Mary Dickerson Donahey. Courtesy of the Grand Marais Historical Society.

And we had fun for our research-inclined readers, too: L. Frank Baum’s claim to a “modern fairy tale” was examined by a group of talented undergraduate students from UNC at Charlotte. Most exciting of all, Anil Tambwekar took us on an amazing journey to discover Mary Dickerson Donahey, a contemporary of Baum’s who was offered—and turned down!—the opportunity to continue the Oz series.

The Spring issue really gave everybody something to look forward to, and we were all really pleased with how it turned out. But that’s nothing compared to our next one. I think everyone found their own way to fight the pandemic blues this summer, but the staff of The Baum Bugle found themselves lost in the Nome King’s dominion…

Front cover of The Baum Bugle Autumn 2020 issue.The Autumn 2020 issue is a wall-to-wall celebration of Walt Disney Pictures’ 1985 family adventure movie, Return to Oz. Ever since I became editor, I’ve wanted to go back and revisit my favorite Oz adaptation: not only did it seem like the right time this year, but it turns out, Disney agreed! Through the generous cooperation of the Walt Disney Archives, we are able to present a previously unpublished interview with Harley Jessup (now production designer of such Pixar movies as Ratatouille and Coco), who took on the job of designing sequences for Return to Oz early in his career. Archivist Kevin M. Kern has not only shared his extensive interview, he’s provided us with a dozen beautiful examples of Harley’s art, most of which have never been seen before. To take full advantage, we had to include a color center spread…!

But that’s not all. My good friend Nick Campbell and I have packed this issue with goodies, including articles by Karen Diket, Coyote Shook, and Howard Berry, who has brought with him some very special interview transcripts of his own… If you love Return to Oz, this is the issue you’ve been waiting for: fire up your limited-edition David Shire CD and whistle the ragtime march with the rest of us. And if you haven’t given it a chance in a while—come on in, the water’s fine! (But remember to bring a chicken.)

Front cover of Glinda of Oz.And what of Winter? Autumn’s just coming out now, but Winter won’t be far away! The Winter 2020 issue will celebrate two remarkable 100-year milestones: the centenary of L. Frank Baum’s Glinda of Oz and of the Nineteenth Amendment, which gave many women the right to vote in the United States. We’ll have extended looks at the strong and amazing women in the world of Oz: in fantasy, focusing on Glinda herself; history, with Baum’s wife Maud; and our modern day, as the Oz world is uplifted by women everywhere.

That’s right about 150 pages of genuine Oz goodness, tackling all sorts of topics, ideas, and new research—for $30 a year. If you don’t have a 2020 membership, why are you still hesitating? It’s all here waiting for you, guaranteed to put a perk in your day, and it’s so much easier to look after than a puppy! Sign up or renew today by clicking that link! 😀  (And enjoy your new Bugle issues!)

 

Gina Wickwar

Virginia “Gina” Wickward, our 2020 L. Frank Baum Memorial Award winner, became the eighth Royal Historian of Oz with her two Oz Club-published books, The Hidden Prince of Oz (2000) and Toto of Oz (2006). Hidden Prince had been chosen as the winning manuscript in a contest, organized by the Oz Club to honor the publication centennial of The Wonderful Wizard of Oz. Gina was quickly recruited to promote her books at Oz Club conventions and book signing appearances around the country. She is currently putting the finishing touches on her third Oz novel, Queen Zixi in Oz, to be published with illustrations by her long-time collaborator Anna Maria Cool.

A life-long Oz fan and a Club member since 1965, Gina’s Master’s thesis in 1968 was on L. Frank Baum and Oz. An active collector, the core of her Oz book collection has been in her family for generations; Oz and the Oz books remained a part of her own family’s life. 

Gina is a regular attendee at Club conventions, and is a member of the Club’s Board of Directors serving as the Club Secretary since 2006. As secretary, Gina takes minutes at the board meeting, and during monthly conference calls of the Oz Club’s executive committee. She also wrote our brochure filling it with information about the Club and its publications.

For years Gina has proofread virtually all Club material. She’s been instrumental to the production of Oziana, and she personally funds the production of the IWOC calendar. A frequent contributor to Oziana, she once created a publication of her own short stories as a special gift for members who’d made generous donations to the Club.

Whether she’s autographing her original books, or participating in an Oz costume contest Gina’s delight in Oz is contagious. Her support of the Oz community is unfailing. Her decades of enthusiasm for the Oz Club and for our mission is exemplary. 

Congratulations, Gina, on this presentation of the 2020 L. Frank Baum Memorial Award.

The Covid19 crises obligated the Oz Club to present Gina’s award online. Recorded on Zoom, you can see the presentation on the Oz Club’s Youtube channel.  https://www.youtube.com/watch?v=RUGHnOYCGxM&t=237s. 

Yellow Brick Podcast Talks “To Oz!”

A brand new podcast hosted by Oz fans Join Emily Kay Shrader and Tara Tagliaferro has just released an interview we did a few weeks ago about To Oz!

You can find Down the Yellow Brick Pod right here.

It was a delight to share time with such enthusiastic Oz fans. And I appreciate the opportunity to rave on about all the great work so many people have done to create this weekend for the Oz community.

To participate in To Oz! create a user profile at OzConvention.org. You’ll be able to post comments and interact with other people in the group. We plan a bit of live Zoom activity each day and need to plan for the right capacity, so there is a separate sign-up for that.

The Aug. 14-16 weekend of events is free and all are welcome!!  Sign up at OzConvention.org.http://OzConvention.org

I hope to see everyone there!