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Baum’s Own Oz films at TeslaCon

Author L. Frank Baum moved to “Hollywood” while it was still a quiet little Southern California community. Film making was in its infancy. Gathering a circle of friends for financial backing, he launched The Oz Film Manufacturing Company in 1914. Three of the films he created will be shown at TeslaCon 2026: His Majesty the Scarecrow of Oz, The Patchwork Girl of Oz, and The Magic Cloak of Oz. Watch the schedule for days and times. Nate Barlow will introduce each film. Currently a member of the International Wizard of Oz Club’s Board of Directors, Nate is a life-long fan of Oz and an award-winning film producer who recently turned his attention to Baum’s films. In 2024 he restored the company’s His Majesty, The Scarecrow of Oz from three 35mm prints, including two reels of original picture negative long believed lost that he rediscovered at the Library of Congress. He has exhaustively researched the history of The Oz Film Manufacturing Company for a planned book and documentary and has presented segments of this research at conventions and in various articles. Given the TeslaCon 2026 focus on the story of The Patchwork Girl of Oz, this particular film—packed with the latest 1914 special effects (!)—you don’t want to miss this opportunity to see how Baum himself brought this story to life on film.   Learn more about Nate’s Oz film restoration work at https://natebarlow.com/oz-film-co/

Contests: Bonnets, Berets and other TeslaCon Builds

TeslaCon 2026 offers contests creative Ozians are sure to enjoy. Four have been announced so far. The first two announced ask participants to create their own original Emerald City hats. Or, in the fashion of Steampunk, “bonnets and berets.” You have free rein to have fun from functional to fabulous. Bert Lahr’s broken flower pot? Ozma’s distinctive crown? Just imagine the hats you might see in the Emerald City. Now, bring one to life. A third contest calls for Oz-themed bird houses. From a modest Munchkin home to a glittering green castle this contest asks you to design, build, and create a birdhouse based on Oz. Tie your design to a character (like Jack’s pumpkin house), a place, or an item. The only rules are it must be Oz and hopefully steamy. Keep the house no bigger than 10x10x10, and bring a 2-foot removable pole that can be attached to it for display. The fourth creative challenge looks for  “Thrift Store Oz” art. Rescue a mass-produced printed art piece from a thrift (or similar) store that’s no more than 30 inches square, preferably framed. This will be your base. Now transform it by adding an element from Oz. Integrate any character, object, or location from Oz to give it an Ozzy twist. This build is all about humor, so clever, unexpected mashups are sure to be a hit.

The Oz Club programming at TeslaCon 2026

Wondering about Oz programming at TeslaCon? The Oz Club will offer a full slate in the Oz Club’s designated break out room; you will be torn between it a half-dozen other break out rooms, the tea room, craft and activities rooms. Since Oz themes will be everywhere, this will be a never-a-dull moment weekend. Our Club is in a unique position to talk about Oz topics with an audience that is exploring Oz for the first time. So we’re offering Jane Albright’s basic “Introduction to Oz” as well as interactive book discussion panels about The Wonderful Wizard of Oz and The Patchwork Girl of Oz. Club President Ryan Bunch will lead both of those. He’ll also be sharing presentation duties with Te Craft to share “Musical Milestones of Oz.” We’ll have some very Steampunk-appealing topics, like Atticus Gannaway’s “Balloons, Airships, and Other Ways to Fly Over Fantasy Lands,” Judy Bieber’s “Copper and Tin: The Life and Adventures of Two Metal Men” and Carrie Hedges presentation of Baum’s “electrical fairy tale” The Master Key. Expect some live music from Jay Thomas, play a round of “Home from Oz” with Joseph South, and create a keepsake in the craft room with Chris Chapman. In the months ahead, you’ll find details of all our programing here at OzClub.org. And we’ll introduce you to presenters you may not know, like Sean Patrick (The Great Prophecy of Oz, 2026 ) and Chris Glasgow (Curator of the Oz Museum in Wamego, Kansas) as well as experts long associated with the Oz Club such as Nate Barlow, John Bell, Scott Cummings, Ryan Jay, and Dee Michel.  Return to our Oz Club blog regularly in the months ahead; we have weekly blogs planned to cover all manner of details and help you gear up for Oz the National Convention 2026 in the midst of TeslaCon, the largest immersive steampunk convention in North America! Tickets are available now. Grab yours today and watch for the announcement of the date/time rooms in the hotel blocks will open.  TeslaCon.com

Finish-the-Story, a TeslaCon Oz Writing Contest

This unfinished story was used in contests at Oz Club conventions in 1979 and published as a contest in our journal, The Baum Bugle. While no author is credited, it was likely written by Fred M. Meyer. The long-time Secretary of the Oz Club, Fred was instrumental in the Club’s founding and subsequent growth. Submissions to early convention contests were given to him, he judged them himself, and he announced the winner. It was always his goal to use personal correspondence and engaging activites to get more members actively involved in the Oz Club. We are delighted to continue that tradition at TeslaCon 2026!    Scraps and the Magic Box  Or   Queen for a Day Ozma was sitting on a silver bench under an amethyst arbor in the south lawn of the Royal Palace. The Palace was in the Emerald City at the center of the Land of Oz. Every now and then, Ozma liked to sit quietly in a peaceful place like this to reflect upon the magical country she ruled and to plan new ways to make its happy people even happier. “Your Highness!” her thoughts were interrupted by a voice approaching her. “Your Highness” puffed the voice again. Ozma recognized the voice at once. It belonged to the Royal Gardener. He puffed as he came nearer for he was short and rather plump. “What may I do for you?” asked Ozma with a smile. “Oh, your Highness,” said the little man as he removed his cap respectfully, “it’s the mendus trees. They have grown so large in the last month, they are shading the green roses and I don’t think they will ever bloom!” “My goodness!” exclaimed Ozma. “No green roses! What shall we do about that?” “Well,” began the Gardener, twisting his cap, “the mendus trees are beautiful and I should not like to cut them. I wonder if your Highness”—here he hesitated for a moment—“I wonder if your Highness could use your magic to set them back about thirty feet, to that clear space over there?” The Gardener waved to an open expanse of lawn. “Of course,” Ozma readily agreed. “I’ll attend to it at once.” She clasped her hands to her slender waist and started to whisper a command to the Magic Belt which she customarily wore. Instead, a puzzled look crossed her face for the belt was not there. “Oh, dear,” she murmured. “I’m not wearing the Magic Belt just now. I must have left it in the Palace.” At that moment, a girl in gaudy colors dashed down a nearby path as fast as she could run. Her dress and the girl herself were fashioned from a crazy quilt. It was Scraps, the Patchwork Girl. A magician had brought her to life so she could work for his wife but Scraps quickly ran away to the Emerald City where she could play all day. Work was one thing the Patchwork Girl did not like to do. Just now she was playing tag with an Emerald City insect. “Whoop-te-doodle-do!” she shrieked in laughter. “Fluttering, I’ll soon catch you!” However, the flutter bug darted through a chinaberry plant, causing the berries to tinkle musically as the brushed against each other.  “Scraps,” called Ozma from the arbor, “come here quickly. I need you.” At the sound of the little Queen’s voice, the Patchwork Girl broke off the chase immediately. With three cartwheels and a somersault, she landed in an untidy heap at Ozma’s feet. Ozma could not help smiling at the irrepressible girl’s antics.  “Scraps, dear,” began Ozma, “would you please go to my private rooms in the Palace and bring the Magic Belt? It is on the table beside the fireplace in my sitting room. “ With a jump and a bounce, the Patchwork Girl was on her way to the Palace, but she was not happy. “Why must I stop and run errands?” She grumbled to herself. “I was about to catch that fluttery.” However, she was on an errand for the Queen herself, so she hurried. She passed Eureka asleep under a breakfast bush and Betsy Bobbin and Trot having a quiet tea party on the veranda. “Why didn’t Ozma ask one of them to fetch her belt?” she thought a bit crossly. Soon Scraps entered Ozma’s private rooms and found the Magic Belt on the table. No one else was around as she picked it up. She hesitated a moment, then wrapped it around her own waist. Her cotton stuffed fingers were too clumsy to fasten the belt but she held it in place on each side and looked in a long mirror. She was pleased to see that the bright jewels in the belt clashed nicely with her colored patches. “All the same,” she muttered, “it’s no fun doing work for other people. If I were a queen like Ozma, I wouldn’t have to do errands. I wish there were some way to avoid that.” Then, remembering that Ozma was waiting, she grabbed the belt in one hand and ran out the door. Here she stumbled and fell headlong over a small box on the floor in the corridor. “It wasn’t heart a w hole ago,” she declared, still in a dark mood. “I wonder where it came from?” She picked it up, put it in her patch pocket, and delivered the Magic Belt to Ozma without further mishap. Then she retreated to a quiet corner of the garden where no one could disturb her. She sat down, pulled the little box from her pocket, and looked at it closely. It was a small and green, except for one red button on the one side and one black button on the other. An engraved message on the lid then caught her attention. Her button eyes squinted carefully as she read: The Choice Box Do you have trouble making up your mind, want to find out what will happen with no consequences? State what you want to the Choice Box and push the red button. Find out what will happen if you make that choice. If you do not care for what happens, push the black button. Immediately all will be as it was before you made the choice, then you may choose again until you make the best choice for you. EDUCATIONAL! HARMLESS! FUN! “Fun!” the Patchwork Girl’s pearls teeth flashed in a broad smile. “That’s for me! Now, what do I want? I know, I don’t want to work any more. If I were queen instead of Ozma, I wouldn’t have to do anything I didn’t want to do! I would like to try that—for a while, at least. Then I can push the black button and everything will be back as usual. What a grand idea!” And Scraps pushed the red button on the box. At first, nothing seemed different. Scraps was a bit disappointed. “That box is probably a fake,” she pouted. Then, putting it back in her pocket, she jumped up and ran over to Ojo and Button-Bright who were walking down the path.  To her astonishment, both boys bowed deeply as she approached. “Your Highness,” Ojo said with great respect, “the ceremony is about to start in the Throne Room.” As soon as it is convenient for your Majesty to go there,” Button-Bright added. Scraps was amazed. What did this mean? Was she really a queen? If so, where was her crown? She put her hand to her head and lifted off something so light she had not noticed she was wearing it. Her eyes stared in disbelief: she was wearing Ozma’s crown! She really was a queen—the Queen of Oz itself!     With a loud whoop of laughter, Scraps ran up the steps of the Palace  and took a long, running slide into the Throne Room. The celebrities of Oz were assembled there, awaiting their queen—the Cowardly Lion, Dorothy, Tik-Tok, Jack Pumpkinhead, the Wizard, and many more. All bowed low as Queen Scraps entered the room. Her long slide took her nearly to the Throne of Oz, but at that point, the irrepressible maiden tripped on the bottom step of the dais and pitched forward. As she did so, the Choice Box fell from her pocket.             Tik-Tok, who was nearest the Throne, stepped forward to help her. “Your High-ness,” he ticked worriedly, “let me as-sist you to your feet.” His copper eyes were upon the fallen Queen and not on this feet. Crunch! One large heavy copper foot came down on the Choice Box, smashing it to pieces.   “Oh, Oh!” screamed Scraps in distress and snatched up the shattered box. Vainly she pushed the black button, but nothing happened. The box was destroyed. With despair, Scraps sank down in the seat of the great emerald Thone of Oz—Ozma’s Throne. “What have I done?” she moaned.  *** What will happen? Where is Ozma? Will Oz ever be the same?  Please keep your work at less than 2,000 words. Submit your original ending by Sept. 15 as either a .doc, .pages, or .pdf by emailing your attachment to: Convention@ozclub.org.  You need not attend TeslaCon 2026 to enter. But if you do, we may ask you to read your story. Based on the number of submissions, all or at least selected story endings will be read at TeslaCon. The IWOC is a 501(c)3 nonprofit organization incorporated in Illinois.

Oz the National Convention 2026 goes to TeslaCon

Exciting news! Oz the National Convention will join TeslaCon, an annual Steampunk convention, for 2026. Choosing Oz as their theme, they were looking to work together with the Oz community. With OzCon International on pause, our summer plans were uprooted; the timing couldn’t be better. Named for Nikola Tesla, his work as an inventor and electrical engineer in the 19th century fits well with the Steampunk movement.* With 900 attendees expected, TeslaCon is considerably larger than our events. But like Oz Club conventions, there will be topical presentations, panels, performances, games, contests, costumes, vendors, a makers room for crafts, a game room for games, and theme decor throughout. Professional actors will present a play across the course of the convention featuring the Patchwork Girl and Ojo on a quest. We will have an Oz Club room at the convention Marriott to provide programming, hold our traditional Club auction, and serve as a hospitality spot for Club members. Convention details, hotel information, and registration will go directly through TeslaCon.com. Facebook users also might want to follow the TeslaCon Fans page. They will open call for programming later this month. We’ve already begun to work on Ozziness the Club can contribute to the fun. From Nate Barlow screening Baum’s silent films to presentations and panels led by some of our own well-known presenters, this can be great exposure for our Club to a fandom that loves Victorian literature, cosplay, and social interaction. See the Oz Club Blog in the News tab here at OzClub.org for regular news and information. If you’re interested in presenting, hosting, or performing, or if you’re a Steampunk enthusiast able to help direct us toward points of connection, write Jane Albright at OzConvention@OzClub.org to join the conversation! Just attending? Great! (Let’s all go!) We’ll be in touch during the months ahead with specifics of interest to our members. If you Google a bit, you’ll find right now that this fandom is very committed to cosplay; regulars are already designing in green. (Rumor has it Shaggy Man will be found chatting with Sir Hokus of Pokes in green armor….) TeslaCon is later in the year than is usual for us, Nov. 12-15. The site, Middleton, Wisconsin, is adjacent to Madison (fly in, or drive 90 minutes from Milwaukee or 2 hours from Chicago). Convention activities are held at a Marriott although room blocks at additional hotels are the norm for TeslaCon. Watch for more details in the months ahead. A quick internet search defines Steampunk as “a retro-futuristic subgenre of science fiction and fantasy that blends 19th-century Victorian-era aesthetics and steam-powered technology with modern, fantastical inventions. It often reimagines history, featuring airships, clockwork automatons, and brass gadgets, blending industrial, elegant, and romanticized elements.”

2026 Oz Club Convention News; Join Us at TeslaCon

Exciting news! Oz the National Convention will join TeslaCon, an annual Steampunk convention, for 2026. Choosing Oz as their theme, they were looking to work together with the Oz community. With OzCon International on pause, our summer plans were uprooted; the timing couldn’t be better. Named for Nikola Tesla, his work as an inventor and electrical engineer in the 19th century fits well with the Steampunk movement.* With 900 attendees expected, TeslaCon is considerably larger than our events. But like Oz Club conventions, there will be topical presentations, panels, performances, games, contests, costumes, vendors, a makers room for crafts, a game room for games, and theme decor throughout. Professional actors will present a play across the course of the convention featuring the Patchwork Girl and Ojo on a quest. We will have an Oz Club room at the convention Marriott to provide programming, hold our traditional Club auction, and serve as a hospitality spot for Club members. Convention details, hotel information, and registration will go directly through TeslaCon.com. Facebook users also might want to follow the TeslaCon Fans page. They will open call for programming later this month. We’ve already begun to work on Ozziness the Club can contribute to the fun. From Nate Barlow screening Baum’s silent films to presentations and panels led by some of our own well-known presenters, this can be great exposure for our Club to a fandom that loves Victorian literature, cosplay, and social interaction. If you’re interested in presenting, hosting, or performing, or if you’re a Steampunk enthusiast able to help direct us toward points of connection, write Jane Albright at OzConvention@OzClub.org to join the conversation! Just attending? Great! (Let’s all go!) We’ll be in touch during the months ahead with specifics of interest to our members. If you Google a bit, you’ll find right now that this fandom is very committed to cosplay; regulars are already designing in green. (Rumor has it Shaggy Man will be found chatting with Sir Hokus of Pokes in green armor….) TeslaCon is later in the year than is usual for us, Nov. 12-15. The site, Middleton, Wisconsin, is adjacent to Madison (fly in, or drive 90 minutes from Milwaukee or 2 hours from Chicago). Convention activities are held at a Marriott although room blocks at additional hotels are the norm for TeslaCon. Watch for more details in the months ahead. A quick internet search defines Steampunk as “a retro-futuristic subgenre of science fiction and fantasy that blends 19th-century Victorian-era aesthetics and steam-powered technology with modern, fantastical inventions. It often reimagines history, featuring airships, clockwork automatons, and brass gadgets, blending industrial, elegant, and romanticized elements.”

Oziana 2024 Available Now

This year’s edition of Oziana, the annual fiction anthology of the International Wizard of Oz Club, features six stories and one poem. Each story was submitted to the Club’s annual writing contest and, when an early-Oz theme appeared, was chosen for this 2024 issue. From paving a familiar road and two different perspectives on the melting of the Wicked Witch, er… “Wise Woman” of the West, to early days of ruling Oz after the Wizard departs, our authors offer some creative glimpses into Oz history.  A concluding poem sets the stage for Oziana 2025 when our cast of characters will expand to include more beloved favorites from later tales in the Oz series.  This year’s issue also offers a short profile of each contributor, which we’ve never done before.  Paul Miles Schneider, known today for his original Oz fiction, grew up reading the Oz books. Packing for a cross-country move, he found an original painting from his youth and agreed to let us use it as our wraparound cover. While it’s not uncommon for an Oz Club publication to arrive a bit later than we’d all prefer, this delay has quite an explanation. The bookmarks for the exclusive edition used as a thank you gift to our donors called for 15 contributor signatures. They started with a the roadtrip to Charlotte, North Carolina, to gather four signature—and survive a hurricane. From there they took a roadtrip to Connecticut followed with a transatlantic flight to England. They flew again to double-stops in Canada before returning to the United States. Skipping from address to address from the West Coast to Florida, one contributor was missed! After that catch-up trip they finally arrived four months later fully signed—just in time to wait out a blizzard. Now that they’ve found their way to our donors hands, public sales of the issue are open.  Writers and illustrators don’t have to come to us through the contests; you are always welcome to submit your original work for consideration to Oziana@OzClub.org. Several stories are already earmarked for publication; more are welcome and illustrators are especially appreciated. We’d love to hear from you! Purchase your copy at Lulu.com.  Oziana 2024 “The Moment Glinda Won Oz,” illustration by Suren Oganessian “A Green Fix” by Kelsey G. Kappel with illustrations by Anna-Maria Cool “The Wicked Witch of the West” by Kathleen Murphey with illustrations by W. W. Denslow “Hope Melts Eternal” by Suren Oganessian with illustrations by Mel Vavaroutsos “A Tenebrous Tower in Oz” by D.J. Tyrer with illustrations by Chris Diket “Straw and Magic” by Malcolm Niess with illustrations by David Diket “The Soldier with Green Whiskers and the Guardian of the Gates” by J. L. Bell with illustrations by Rob Lauer   Oziana 2024 Authors and Illustrators “Oz It Was” by David M. Perkins; illustrated by Thomas and T Craft Original cover illustration by Paul Miles Schneider