Guest Blog: How Much is that Bugle in the Window?

Hey everyone! Your friendly Baum Bugle editor Sarah here, filling in for Jane. When’s the last time you thought about reading the Bugle? The Baum Bugle began in June 1957 as a way for Oz Club president Justin Schiller to keep his members informed of Ozzy news, including convention reports and details on upcoming merchandise. It quickly ballooned from those four mimeographed pages to take in research, memoir pieces, rarely published stories by L. Frank Baum, and more.

Today’s Bugles are usually 48 pages or a little bit more, and I do my best to cram in as many interviews, research pieces, collectible data, and previously unseen material as I possibly can. If you aren’t a 2020 member right now, why not? The 2020 membership deadline is Oct. 31—and look what you might miss out on!

Cover of The Baum Bugle Spring 2020.The Spring 2020 issue was particularly fun because I had the chance to interview costume designer Beck Jones and photographer Curtis Brown about their amazing, modern photographic tribute, Broadway Celebrates Oz. We had the opportunity to put Curtis’ beautiful images on our covers in full color, and we included several of Beck’s design sketches inside, too. Their enthusiastic recollections of a passion project made a great Oz story I was thrilled to tell.

The Spring issue also gave us a chance to think about other unique visions of Oz. David Diket gave us a thorough collector’s guide to the charming View-Master Wizard of Oz reels, Nick Campbell reviewed the groundbreaking podcast Hit the Bricks, and Christina Maffa paid tribute to 25 years of The Wizard of Oz in Concert.Photo of Mary Dickerson Donahey. Courtesy of the Grand Marais Historical Society.

And we had fun for our research-inclined readers, too: L. Frank Baum’s claim to a “modern fairy tale” was examined by a group of talented undergraduate students from UNC at Charlotte. Most exciting of all, Anil Tambwekar took us on an amazing journey to discover Mary Dickerson Donahey, a contemporary of Baum’s who was offered—and turned down!—the opportunity to continue the Oz series.

The Spring issue really gave everybody something to look forward to, and we were all really pleased with how it turned out. But that’s nothing compared to our next one. I think everyone found their own way to fight the pandemic blues this summer, but the staff of The Baum Bugle found themselves lost in the Nome King’s dominion…

Front cover of The Baum Bugle Autumn 2020 issue.The Autumn 2020 issue is a wall-to-wall celebration of Walt Disney Pictures’ 1985 family adventure movie, Return to Oz. Ever since I became editor, I’ve wanted to go back and revisit my favorite Oz adaptation: not only did it seem like the right time this year, but it turns out, Disney agreed! Through the generous cooperation of the Walt Disney Archives, we are able to present a previously unpublished interview with Harley Jessup (now production designer of such Pixar movies as Ratatouille and Coco), who took on the job of designing sequences for Return to Oz early in his career. Archivist Kevin M. Kern has not only shared his extensive interview, he’s provided us with a dozen beautiful examples of Harley’s art, most of which have never been seen before. To take full advantage, we had to include a color center spread…!

But that’s not all. My good friend Nick Campbell and I have packed this issue with goodies, including articles by Karen Diket, Coyote Shook, and Howard Berry, who has brought with him some very special interview transcripts of his own… If you love Return to Oz, this is the issue you’ve been waiting for: fire up your limited-edition David Shire CD and whistle the ragtime march with the rest of us. And if you haven’t given it a chance in a while—come on in, the water’s fine! (But remember to bring a chicken.)

Front cover of Glinda of Oz.And what of Winter? Autumn’s just coming out now, but Winter won’t be far away! The Winter 2020 issue will celebrate two remarkable 100-year milestones: the centenary of L. Frank Baum’s Glinda of Oz and of the Nineteenth Amendment, which gave many women the right to vote in the United States. We’ll have extended looks at the strong and amazing women in the world of Oz: in fantasy, focusing on Glinda herself; history, with Baum’s wife Maud; and our modern day, as the Oz world is uplifted by women everywhere.

That’s right about 150 pages of genuine Oz goodness, tackling all sorts of topics, ideas, and new research—for $30 a year. If you don’t have a 2020 membership, why are you still hesitating? It’s all here waiting for you, guaranteed to put a perk in your day, and it’s so much easier to look after than a puppy! Sign up or renew today by clicking that link! 😀  (And enjoy your new Bugle issues!)

 

Spring 2018 Baum Bugle off to the press

The Spring 2018 Baum Bugle is on its way to Oz Club members with a new look that is a breath of fresh air for our Club.  If you’ve been a Club member in the past, you’ll likely notice the design changes first, but look for organizational changes, too, as our new editor-in-chief, Sarah Crotzer, updates departments to better reflect today’s world of Oz.

Feature stories include two Oz puppetry pieces I contributed, one about a particular show here in Kansas City, and another that reaches back into the earliest Oz puppet shows to tell you a bit about their history.  The historical piece will be continued in Autumn; even just selecting highlights, there is much to tell.

I’m so pleased with Bill Thompson’s feature about the Wonderful Game of Oz, it gets a blog all its own!  I also used this forum to share my trip to Philadelphia to see the Charles Santore retrospective at the Woodmere Art Museum. In this Spring issue, Dave Kelleher provides a much more thorough report from that gallery.

Through the years we’ve occasionally included in Club mailings content designed specifically for our younger members. That tradition has returned.  You’ll find Oz Gazette pages inside this issue provided by Nick Campbell, as well as a delightful finger puppet project designed for us by Dave “Krofty” Kelleher. If you are one of the Club’s Youth members and we don’t already have an email address for you, please send us one so Nick can help make The Oz Gazette your publication. TheOzGazette@gmail.com goes straight to him.

Reviews of performances, books and more round out the issue that ends with a fabulous first-person account of life as a witch. In this Adventures in Oz story, Kurt Raymond talks about how he came to perform the character as so memorably played by Margaret Hamilton.

My thanks to Sarah for the vision she brings to her editorship, and to our designer, Marcus Mebes, who managed the herculean work of redesigning the entire publication over just a few short weeks of production time. Sarah is committed to getting us back on track with the Spring, Autumn, and Winter issues delivered on schedule.  If all of them deliver as much as this issue, we’re in for a terrific year.

Baum Bugle mails — for the 180th time

Baum Bugle 180It’s a Bugle!  The Winter 2017 Baum Bugle is now arriving in member homes. You’ll find 76 pages of Ozziness inside a gorgeous cover that’s a colorization of a black-and-white still from the 1939 MGM classic. Victor Mascaro has done a masterful job of making Dorothy, Scarecrow, Toto and one red apple really pop off the page.

Contents include feature stories about WICKED, the making of Bibliographia Baumiana, and the conclusion of editor John Fricke’s extensive research into Wizard of Oz stage productions at the Muny in St. Louis. Michael Patrick Hearn shares a serialized “Wonderland of Oz” comic strip of The Lost Princess of Oz, a Baum book now celebrating its publication centennial. The Oz Club’s 60th anniversary prompted interviews with four of the Club’s founding members, a report on last summer’s marking of Jack Snow’s grave, and reports on summer conventions. Five Oz fans also give us a look at how Oz has worked its way into their lives. As always, news and reviews help fans stay in touch with what’s happening in Oz.

My President’s column echoes my January blog, thanking our Club’s financial supporters featured on that page in our annual “Ozma’s Honor Roll.”

The issue marks the last sent to our 2017 members. Many, many members renewed their membership with the arrival of the new year, but we’re well aware that some members wait until this winter issue is in hand before joining again. If you’re in that latter group, have been away for a while, or are considering membership for the first time, I hope you won’t hesitate to become a 2018 member.  We’d love to have you with us!